Pat Maine, also commonly known in Hip Hop under alias Kinnetik, is taking the continent by storm. Working around the clock with 2 tours in 2009. Touring the western half of the United States with Masta Ace and Edo G March 2010. Pat Maine is definitely Kinnetik and surely you will agree with that.
Download Kinnetik's First Album Ever For FREE!!
Produced By Devise One-Release 02/08
16 Original Tracks PLUS
*3 BONUS TRACKS*
(Gotta download the album to hear the bonus tracks)
http://www.kinnetik.bandcamp.com
February 27, 2010
February 24, 2010
February 23, 2010
Verse
In brutality warfare/all is fair in love and war
they'll find you with daggers and swords in your corose before you hit the morgue
Fuck who you opened for/I put stops to local tours
Stab you in your throat/Skipping Rope with your vocal cords
Your pure comedy like the US Economy
I'll believe in Aliens before a NATO apology
They turned the Constitution into a mockery
I believe in god/but you all make it a hypocrisy
So I step my game up/to make the same buzz
as North Korea does/every other month/they point missiles at us
I'm a breath of fresh air/a bright light like a phoenix
your never cared about Haitians till a "We are the world" remix
They put crank in my hood so I pump bass out the speakers
out the tweeters for the tweekers that aint gonna make it either
I aint ever scared like Malcom with the A-K
if you snitch put a suicide note in your EPK
they'll find you with daggers and swords in your corose before you hit the morgue
Fuck who you opened for/I put stops to local tours
Stab you in your throat/Skipping Rope with your vocal cords
Your pure comedy like the US Economy
I'll believe in Aliens before a NATO apology
They turned the Constitution into a mockery
I believe in god/but you all make it a hypocrisy
So I step my game up/to make the same buzz
as North Korea does/every other month/they point missiles at us
I'm a breath of fresh air/a bright light like a phoenix
your never cared about Haitians till a "We are the world" remix
They put crank in my hood so I pump bass out the speakers
out the tweeters for the tweekers that aint gonna make it either
I aint ever scared like Malcom with the A-K
if you snitch put a suicide note in your EPK
February 22, 2010
February 21, 2010
February 17, 2010
February 15, 2010
February 14, 2010
February 12, 2010
February 9, 2010
This Sat kicking off The Backpackramento Tour!
Sat Feb.12th
Mainstreet Brewery
101 Main St Roseville,CA
Doors open @ 9pm $5
February 2, 2010
"What's The Scenario?" in The Sacramento Press
"What's The Scenario" at The Center
by Tony Nichols, published on January 31, 2010 at 9:00PM
Phatso of the Sacramento breakdance crew, Legendary Steps local breaker Buckingham hosted the "What's the Scenario?" 2-on-2 b-boy battle Saturday at the Washington Community Center at D and 16th Streets.
The grand prize for the event was entrance into Loose Screws 11, an invitation-only battle for $2,000 in Atlanta, Ga., on Feb. 20.
"What's the Scenario" hosted more than 50 two-man crews. The professional and amateur duos were vying to reach the top 32 spots in the main event.
Local crews such as Flexible Flave, Legendary Steps, The Outsiders and Underground Flow advanced to the second round. For Sacramento b-boys and b-girls, these local heroes did not fail to impress.
Some of the teams traveled a great distance for a chance at the $2,000 main prize in Georgia. Out-of-towners Knuckle Head Zoo of Las Vegas, Angels of Death of Salt Lake City, Utah, and Hybrid Crew of San Jose showed their best style and represented what hip-hop really means.
Judges Rufy of Italy's Living Dead Army, Flection 1 and MC Mahtie Bush of Sacramento rated performances on style, difficulty, originality, music interaction and technique. Several battles received a split decision, forcing a sudden-death, one-on-one overtime round. The audience met these contests with a roar.
Breakdancing has strict rules against touching the other crew. Several teams almost were disqualified because they brushed against their opponents. The intensity of a battle is hard to capture unless it's seen first-hand. It seems almost impossible to stay six inches from your opponent while spinning on one hand upside down, so precision is just as important as power in this form of dance.
Local DJ Oscar, known as B-boy Clue, held the turntables for most of the night and approval from the crowd came often as favorite jams played. The dancers showed great endurance in the event that lasted from 3 to 8 p.m.
In the final round, it came down to Knuckle Head Zoo and Flexible Flave of Sacramento. The teams battled it out for three grueling rounds until Flexible Flave triumphed. The duo flys to Atlanta this month for the chance to win the Loose Screws 11 national breakdance battle. But already, Flexible Flave's reputation has grown, until the next crew poses a challenge.
"What's the Scenario" showed that hip-hop culture unites, entertains and motivates people from of every age and nationality. Breakdancing didn't lose popularity in the 80's, it just never chased the glitz and glamour that so many other forms of expression did.
It certainly has its place, said Chase Gschweng, who attended the event.
"Whether you realize it or not, there will always be an emcee MC on the microphone, a DJ on the turntables, a graffiti artist with a spray can, and a b-boy tearin' up the floor."
by Tony Nichols, published on January 31, 2010 at 9:00PM
Phatso of the Sacramento breakdance crew, Legendary Steps local breaker Buckingham hosted the "What's the Scenario?" 2-on-2 b-boy battle Saturday at the Washington Community Center at D and 16th Streets.
The grand prize for the event was entrance into Loose Screws 11, an invitation-only battle for $2,000 in Atlanta, Ga., on Feb. 20.
"What's the Scenario" hosted more than 50 two-man crews. The professional and amateur duos were vying to reach the top 32 spots in the main event.
Local crews such as Flexible Flave, Legendary Steps, The Outsiders and Underground Flow advanced to the second round. For Sacramento b-boys and b-girls, these local heroes did not fail to impress.
Some of the teams traveled a great distance for a chance at the $2,000 main prize in Georgia. Out-of-towners Knuckle Head Zoo of Las Vegas, Angels of Death of Salt Lake City, Utah, and Hybrid Crew of San Jose showed their best style and represented what hip-hop really means.
Judges Rufy of Italy's Living Dead Army, Flection 1 and MC Mahtie Bush of Sacramento rated performances on style, difficulty, originality, music interaction and technique. Several battles received a split decision, forcing a sudden-death, one-on-one overtime round. The audience met these contests with a roar.
Breakdancing has strict rules against touching the other crew. Several teams almost were disqualified because they brushed against their opponents. The intensity of a battle is hard to capture unless it's seen first-hand. It seems almost impossible to stay six inches from your opponent while spinning on one hand upside down, so precision is just as important as power in this form of dance.
Local DJ Oscar, known as B-boy Clue, held the turntables for most of the night and approval from the crowd came often as favorite jams played. The dancers showed great endurance in the event that lasted from 3 to 8 p.m.
In the final round, it came down to Knuckle Head Zoo and Flexible Flave of Sacramento. The teams battled it out for three grueling rounds until Flexible Flave triumphed. The duo flys to Atlanta this month for the chance to win the Loose Screws 11 national breakdance battle. But already, Flexible Flave's reputation has grown, until the next crew poses a challenge.
"What's the Scenario" showed that hip-hop culture unites, entertains and motivates people from of every age and nationality. Breakdancing didn't lose popularity in the 80's, it just never chased the glitz and glamour that so many other forms of expression did.
It certainly has its place, said Chase Gschweng, who attended the event.
"Whether you realize it or not, there will always be an emcee MC on the microphone, a DJ on the turntables, a graffiti artist with a spray can, and a b-boy tearin' up the floor."
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